bass clef symbol on music staff

LCII

“Once I know that I can remember
whenever I like, I forget.”

—Umberto Eco

bass clef symbol on music staff

LCII

“Once I know that I can remember whenever I like, I forget.”

—Umberto Eco

Kahlil Gibran, “The Broken Wings”

The sensitive boy who feels much and knows little is the most unfortunate creature under the sun, because he is torn by two forces. The first force elevates him and shows him the beauty of existence through a cloud of dreams; the second ties him down to the earth and fills his eyes with dust and overpowers him with fears and darkness.

Solitude has soft, silky hands, but with strong fingers it grasps the heart and makes it ache with sorrow. Solitude is the ally of sorrow as well as a companion of spiritual exaltation.

He who does not see the angels and devils in the beauty and malice of life will be far removed from knowledge, and his spirit will be empty of affection.

Did my youth blind my natural eyes and make me imagine the brightness of her eyes, the sweetness of her mouth, and the grace of her figure? Or was it that her brightness, sweetness, and grace opened my eyes and showed me the happiness and sorrow of love?

Every visit gave me a new meaning to her beauty and a new insight into her sweet spirit, Until she became a book whose pages I could understand and whose praises I could sing, but which I could never finish reading.

Thus the sun enlivens and kills the fields with its heat.

In the opinion of the fox, high bunches of grapes that can’t be reached are sour.

A look which reveals inward stress adds more beauty to the face, no matter how much tragedy and pain it bespeaks; but the face which, in silence, does not announce hidden mysteries is not beautiful, regardless of the symmetry of its features. The cup does not entice our lips unless the wine’s colour is seen through the transparent crystal.

You will enter the gate of life, while I shall enter the gate of death. You will be received hospitably, while I shall exist in solitude, but I shall erect a statue of love and worship it in the valley of death.

The true light that had showed me the beauty and wonder of the universe was converted to a great flame of fire that seared my heart; and the Eternal music I used to hear became a clamour, more frightening than the roar of a lion.

I was still in the City of Beirut without a companion save my dreams, which would lift my spirit to the sky and then bury it deep in the bosom of the earth.

How can a broken heart find consolation in a disappointed soul?

Thus despair weakens our sight and closes our ears. We can see nothing but spectres of doom and can hear only the beating of our agitated hearts.

Wetness does not scare the drowned.

Limited love asks for possession of the beloved, but the unlimited asks only for itself. Love that comes between the naiveté and awakening of youth satisfies itself with possessing, and grows with embraces. But Love which is born in the firmament’s lap and has descended with the night’s secrets is not contented with anything but Eternity and immortality; it does not stand reverently before anything except deity.

The eye that looks on heaven once will not be closed by the pains of the world.

Then I said, “In this ditch you have also buried my heart.”